![]() But, as the contributions of Alejandro Coroleu, Romana Brovia, Lluís Cabré, Montserrat Ferrer and Jaume Torró show, by the end of the fourteenth century, Metge (and Canals) must have had access to several works of the. S’ofereix una formació bàsica en les diferents facetes que integren el llenguatge humà i en els fonaments teòrics i pràctics de la literatura, tant des d’una perspectiva universal com des d’una perspectiva nacional, de manera que es puguin estudiar les literatures clàssiques, europees, espanyola i. Silent and gentle where the original is verbose and tumultuous, Serra reads between the lines of Cervantes' masterpiece and works its. Director: Albert Serra Country: Spain Year: 2006 Genre: Fiction Scriptwriters: Albert Serra. ![]() In 1395, during his stay at the papal curia in Avignon, Metge may have become familiar with the Secretum, a Ciceronian dialogue and an Augustinian confession which Petrarch wrote between 13. Honor de Cavalleria : Guided by chance, Don Quixote and Sancho continue their journey of adventure day and night. Around 1388, Metge read the Griseldis, Petrarch’s Latin rewriting of the final novella in Boccaccio’s Decameron. 1348–1413), secretary to kings John I and Martin I, and homme de lettres, had early access to Petrarch’s works. The volume focuses on a crucial moment in the cultural history of the Crown of Aragon: Bernat Metge’s (and, to a much lesser extent, Antoni Canals’s) reading and imitation of Petrarch and classical authors. Fourteenth-Century Classicism: Petrarch and Bernat Metge is a collection of 11 articles, written by 12 contributors.
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